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Travel
Updated:
May 11, 2008
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On the Road:
Travel Stories and Projects:
2008
April:
Kent State and Michigan: from Bartok to a kid's show
The
Euclid Quartet was formed at Kent State University
while the quartet was the graduate quartet there almost 10 years
ago. I actually went to audition for the quartet while they were
still at Kent. This month we were in the very same room where I
auditioned for the quartet in 2001. This time, to get ready for a
challenging all-Bartok's program to be performed on that evening of
April 10. I have to admit it is quite a lot of fun to play an
all-Bartok's program, specially for the first time, but it's a heck
of a lot of work! There was a great reception afterwards and I got
to meet a lot of the people that were associated with the beginnings
of the Euclid Quartet. They also had some really good beer (courtesy
of Tom Jansen, a beer connoisseur himself).
The children of
the Bedford schools of Temperance, Michigan, along
with parents and the general audience witnessed an unusual world
premiere: one that involved lots of kids of different ages, a
professional string quartet and a conductor. It was the world
premiere of "Symphony of String Instruments" by the English composer
James Leatherbarrow which features the Euclid Quartet as soloists
and a large ensemble comprised by three level orchestras:
elementary, middle and high school. It's the first time that
something like this is done! The work dedicates a movement to
spotlight every orchestra and begins and ends with everyone playing
together. The experience was beautiful and unforgettable for us, the
kids did such a wonderful job and Jeff Thomas did an amazing job
preparing the kids and putting it all together on the day of the
concert on April 15. To learn more about this fun project visit the
educational section of the Euclid Quartet's website:
http://www.euclidquartet.net/Ed_Side.html
Not a
quartet travel story: Also this month, I traveled to Iowa City
to see the Emerson Quartet play a concert at University of Iowa
(taking advantage of one of my many trips to visit my wife who is
getting her Doctoral Degree in Flute from UI). I spoke to them after
the concert and I got my book "The Savior" signed by its author
Eugene Drucker, and talked about viola bows to Larry Dutton, and
shared our new projects with Phil Setzer. I also spoke about coffee
with David Finkel with whom I share a particular interest in the
subject. It all started in Aspen in 2002 when I mentioned to him how
much I like coffee and that I had started roasting my own coffee at
home. He was very interested in the idea so I gave him a book on
home coffee roasting and since then he roasts his coffee at home.
March:
James Dunham's
mini residence at IUSB: 25-29 of March
We had the privilege of playing
with James Dunham, former violist of the Grammy Award winning
Cleveland Quartet (also known as The Beatles of classical music). As
part of a mini residency at Indiana University South Bend,
he gave two masterclasses, taught some of the local students and
performed the Dvorak Viola Quintet Op. 97 with the Euclid Quartet.
We even took a road trip with him to play in Richmond, Indiana,
which was a lot of fun specially learning travel stories from a veteran quartet traveler
and his sense of humor in the company of his three
colleagues, all full-equipped with luggage, instruments, music, new
jokes.... He also got a taste of the Euclid's sense of humor (a
similar enterprise of 4 men on the road playing concerts and having
a good time when possible). During this
trip he shared with us the Cleveland Quartet's outtakes (those takes
that were edited out of their recordings), which he had put together
over the years, just fabulous...
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February:
My first time
traveling without my coffee maker!
Ok,
you probably think I'm crazy, but I have been traveling all these
years with my espresso maker. I am so hooked on coffee that my
everyday life is not the same without my morning cup of "marrón
oscuro" (the Venezuelan way of getting your coffee to look dark
brown even after putting the milk and the foam, Venezuelan coffee is
great, by the way). I became very picky
(no, I really mean it!) with the way I like my coffee and my wife
and colleagues have witnessed my frustration whenever I go to get
coffee somewhere. Those baristas looked at me as if I was coming from Mars when
I've tried to explain the way I like it; regardless, they always do
it how they know: A latte that's just milk and foam and has some
traces of coffee which was also weakly brewed (with some few
exceptions, of course, which have impressed me). Recently my wife gave
me a brilliant idea: to get the milk and foam separate and I mix it
up myself, but when the coffee is not brewed strong enough I'm left
with literally two seeps of something that hardly resembles a "marrón
oscuro." That's why I had been traveling with my espresso maker
which embarked with me on trips to Japan, England, Ireland, Paris
and all over this country. But carrying the extra weight and
sacrificing an extra pair of shoes and jeans to make room for the
coffee maker started to get a little bit weary. For that reason I
decided to test it for this trip to Sioux City, Sioux Center and
Vermillion and not bring the coffee maker. I traveled instead
with... a bunch of tea bags. It was pretty sad, though, and I did ok
with the change but there's just not comparison, no matter how good
the tea, is just: not coffee. But I'm willing to try for awhile to
see what happens.
January:
New York to start
2008
As a
result of our audition for a showcase for the Chamber Music America
National Conference we were invited to New York City.
The conference took place at the Westin Hotel in Times Square and
our showcase was programmed for noon on Sunday, January 6. We first
arrived in New Jersey and stayed at my wife's parents to do some
post break rehearsals and get back on shape. Martha's parents were
such wonderful hosts (as always!) and made our short stay in their
home very enjoyable. We all went to hang out at the Triumph brew pub
in Princeton, NJ (where Martha and I went for a really fun New
Year's eve party). Then we headed to New York by train and stayed at
the Westin Hotel to get ready for the conference.
We were invited
to the Oberlin Conservatory by their violin faculty Greg Fulkerson
to do a master class and to perform an evening concert on Jan 22.
It's great to be so close to Oberlin (just under 4 hrs
driving). The groups we coached were very good and they all seemed
to have enjoyed the class. I was happy to see Ms. Monique Duphil at
the concert, who is a piano faculty at the conservatory, and whom I met in
October when Martha and I were visiting Oberlin. I remember when I
was around 10 and before I even contemplated playing an instrument,
my sister (who is also a pianist) took me to see her perform in my
home town. After all these years I wanted to meet her and I finally
did! She also speaks perfect Spanish...
The day after we returned from Oberlin we
caught an early flight from South
Bend to Charlotte, North Carolina to play a concert there with the guys of
the Degas Quartet. Yes, we played the Mendelssohn Octet and it
really makes a great excuse to bring two quartets to perform
together but, nevertheless, we were once again all captivated
by this all-time little gem. It was particularly meaningful to
have played it after seeing the original manuscript at the Library
of Congress last spring (read entry for April 2007). It was
also a really fun trip and we together make an unbeatable
"super-octet bond" personality wise and we never lack of a good
laugh. Even backstage, hearing Jamie's rendition of a theme from a
Tchaikovsky's quartet gone wrong, and then having everyone else
trying to play it that way, was quite amusing. The concert was on
January 26 at Queens College.
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2007
November and December:
Sudden repertoire
change: Quintets are on the menu
We took a
little pause on the work we need for our next local concert so that
we could prepare two piano quintets to be performed at the Odyssey
Chamber Music Society in Columbia, Missouri. Once
again, we met our dearest pianists friends, this time to perform the
Shostakovich Quintet (with Ayako Tsuruta) and the Dohnanyi Piano
Quintet (with Peter Miyamoto). The concert was on Sunday, Dec. 2 but
we left South Bend on Thursday, Dec. 29 to get some rehearsal with
them. We drove to Columbia which was a lot of fun. And also was
seeing our friends Peter and Ayako who took such nice care of us
(and took us to the local brewpub, which is a seemingly must-visit
stop built into our schedule every town we go to across the
country). Back in town, we have to immerse ourselves into our
repertoire for our next IUSB concert on Dec. 7 for which we have to
play Schubert's "Quartettsatz" Mozart KV 387 and Bartok's
Quartet # 2.
October:
Our debut concert
at IUSB and first travel with David:
The
Euclid Quartet opened the 07-08 season with a debut performance as
the faculty quartet at Indiana University South Bend on the 14th of
the month, which was also our first performance with David as our
new cellist. We also traveled west to perform at the National Music
Museum in Vermillion, South Dakota on the 26th and at Dordt College
in Sioux Center, Iowa, on the 27th. We also ended up visiting our
previous home, Sioux City, to visit some friends. It was weird to be
back in Sioux City because it felt as I was away for a few months
and then I was returning "home." But then I realized that I was not
driving my own car there but a...rental van! It was great to be back
there to see our friends Ken and Barb Ackermann and Joe and Hahn Shufro.
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August:
A month of
changes:
The month
of August brought some changes along for us. One was the appointment
of the Euclid Quartet as full-time faculty at Indiana University
South Bend. This of course came with the unavoidable moving
headaches but a further reward awaited. The quartet was leaving
Sioux City, Iowa (but not the midwest) after 6 years to make South
Bend, Indiana, their new center of operations. We also had a change
of personnel, Amy announced her leaving the quartet and that also
came with the unavoidable audition process that took place until mid
August. After a national search we welcomed David Beem as our new
cellist to join us for a new and exciting life together. To read
more about David, visit our official website:
www.euclidquartet.net.
July:
The lovely New
York State:
One of my
favorite places to visit is Upstate New York , far enough
to the big metropolis and so full of character and surrounded by the
Catskill and Adirondack mountains. I love mountains, more so than
beach, it might be because I grew up in Venezuela and went to the
beach quite often. But there are beautiful mountains in Venezuela
too, in the state of Merida. Anyway, our visit to New York was due
to a concert in Lake Luzerne, New York, at the Lake Luzerne Music
Camp on July 23. This was a very well attended concert, and a fine
audience too...
June:
Beverly Hills:
After
returning from Europe, and after taking a few days off, it was time
to get back to work. Just a week after my return the Euclids went to
take the audition for the job position at Indiana University South
Bend. The following week after that we were embarking to Los
Angeles, California, for a performance in Beverly Hills.
The folks that we stayed with were excellent hosts (Toni Schuman and
Margaret Shipman). It was our first time in the area so it was fun
to go check out the Hollywood scene as well. Our concert included
Beethoven 59 No.3, Mozart's Quartet KV 499 in D and Alberto
Ginastera's Quartet No. 1 (for a fair chance performance of these
works after playing it earlier this year with a broken hand).
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May:
A trip to London,
Ireland and Paris:
From May
14th to the 26th we traveled to London and Ireland with Morningside
College's Camerata Orchestra. We had a much easier time than our
usual quartet travels because we didn't have to do anything other
than show up for the rehearsals and play the concerts (5 total).
This is an orchestra that has no conductor and our students play
alongside with the faculty (the Euclid Quartet plus Mr. Shufro on
the bass). The repertoire included Bach's B minor Suite for Flute
and String Orchestra with my wife Martha on the flute, Hindemith "Trauermusik"
for Viola and String Orchestra with me playing the solo part,
Grieg's Holberg Suite and Elgar's Serenade. The tour
started in London and then we went to Ireland to the cities of
Dublin, Sligo and Galway.
After our
tour with the Camerata, Martha and I spent two more days in London
to visit my cousin Maria Fernanda who I hadn't seen for maybe 5
years. Then we took a trip to Paris for a short vacation (May
26-June 3). We had been in Paris in different times but not
together, I had been in 1992, 93 and 95 and Martha was there in
2005. As cliché as it might sound, Paris is quite romantic. The
highlight of our trip was having wine (a bottle) by Pont Neuf
overlooking the Notre Dame Cathedral (see photo below). But I don't
mean sitting at a restaurant, I mean actually under the bridge by
the Seine! as cool as that, we also had wine by the Eiffel Tower
after dark. Something different we wanted to do! But also going to
the Bois de Bologna, the biggest park in Paris, was a relief from
the city stress. And talking about stress, the one not-so-cool event
of this trip was, guess what!?...I got my wallet stolen! credit
cards, driver's license, health and car insurance cards, some cash,
all gone in a matter of an eye-blink. The most painful loss, though,
was: my green card! you could not imagine what a pain in the neck
that has turned to be. I got my wallet
stolen the day we arrived in Paris and in the RER train from Charles
de Gaulle airport (typical). So the first thing we visited in Paris
was the Police station and the American Embassy (I wanted to make
sure I could come back to the US without my green card and it was
ok). But even with that little bothersome experience we still had a
lot of fun in Paris!

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April:
Historic places
and instruments:
This
was a very cool month for us! We went to Boston, Massachusetts
to play a concert for the Harvard Music Association on Friday, April
13th. The program included a work by French composer André Caplet
(1878-1925): Conte Fantastique after Edgar Allan Poe's "Masque of
the Red Death" for String Quartet and Harp, which we played with
harpist Ursula Holliger. I liked downtown Boston a lot (I liked the
Upper Crust's pizzas). The concert venue is a historic landmark and
the Harvard Music Association was founded in 1837 by Harvard
graduates. We met very smart and interesting people in various
fields: Arts, Physics and Math Sciences, Harvard scholars, faculty
and students.
Also
this month we performed at the Library of Congress in Washington,
DC. They have a collection of fine instruments, mostly Strads,
which we got to play. They have two of Stradivarius few violas (13
total in the world I believe): the 1690 "Tuscan-Medici" and the 1727
"Cassavetti" both of which I played but the last one I used for the
concert (see photo). Very beautiful instruments! I also had a chance
to hang out with my sister-in-law, Sarah and her husband Bob, which
is always enjoyable. We went to a cool place after the concert, the
Capitol City Brewery next to the Union Station in downtown DC.

And finally, to nicely end this busy month of April, we performed a
concert for the Chicago Music Society in Chicago, Illinois on
Saturday, April 28th. The concert was hosted by the board of the
Women's Athletic Club of Chicago, one of Chicago's North Michigan
Avenue landmarks, and a very elegant modern French style building.
The concert was shared by the Degas and Euclid Quartets and we ended
the concert with Mendelssohn's Octet. It was the first time for the
two groups to play this piece together, even though we had played
Armando Bayolo's octet "Ludi" about 7 times. Just a week before, at
the Library of Congress, we were shown the original score of
Mendelssohn's octet (written when he was only 16). The manuscript
was impressively neat and beautifully handwritten and signed by the
composer.
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March:
Spring is coming!
March
was an interesting month for us. We were called by our manager to
take a concert in place of a group that canceled in the last minute.
It was just during the time I had decided to take a break from
playing and get my hand a rest so my right hand fracture could heal
sooner. This concert was hard to say no to, though. It was in
Minneapolis (drivable distance from us) and we had repertoire
ready to go. I saw a hand specialist two days before the concert and
asked his advice, and he say "go for it and use your pinky again."
This concert was on March 7th and was the first time I use my pinky
since January. Since then I've been playing normally again.
Later
in March, on the 22nd, we had a performance at the Kravis Center for
the Performing Arts in West Palm Beach, Florida. It was a
great venue and very well known and the staff was very kind with us
and assisted us with all of our needs.
On
March 31st we had a concert at Dordt College in Sioux Center,
Iowa, which originally was on February 24th but it had to be
postponed because of a huge winter blizzard that made Iowa a
National Disaster area. This time the weather wasn't that great
neither and as Spring arrives is time for the thunderstorms to cause
problems. A huge storm and a tornado watch were getting in the way
but we were able to play the concert. Another concert was happening
right after so we made ours a little shorter by not doing the repeat
in the first movement of Beethoven's 59 No.3 and, apparently, by me
taking the last movement's fugue WAYY faster than usual!
February:
Our experience in
the wine country
This
month we got another chance to get out of the cold winter, the ice
and the snow. We went to the beautiful state of California
(my first time visit), on Feb. 15th, to perform concerts in the wine
country of Sonoma County and in Fullerton just outside of Los
Angeles. The trip, once again, was hectic "thanks" to bad weather
and the airline's irresponsible over-booking. Only Amy was able to
board on the original flight at 6:45 am, Jacob made the list for the
next flight at 9:30 while Jamie and I were not able to board a
single plane at all with this airline for the rest of the day (along
with other frustrated bumped passengers). We finally got on a flight
with a different airline 11 hours after we've been at the airport.
Only Jacob and Amy made it on time to give a master class at San
Domenico School in San Aselmo, California.
But the
travel nightmare was over, the Euclid Quartet was again reunited
later and were there to perform a concert on Feb. 18th in
Occidental, California, a charming little town in Sonoma County
near the Napa Valley and close to the coast of the Pacific Ocean (we
were also interviewed on KRCB Radio) We felt like we were in
paradise and our hostess and music presenter Kit Neustadter took
great care of us and made our stay unforgettable. She took us to the
coast to a place known to be a Harbor Seal Nursery right at the
mouth of the Russian River. This phenomenon happens later in April
but we were able to see some Seals sticking their heads off the sea
waves seaming to have some fun. We also saw a huge Elephant Seal
taking a nap on the shore (see the photo below). Then we took
a plane to LA and drove to the town of Fullerton, California
for a concert at the Sunny Hills Performing Arts Center on the 19th.
They offered a nice reception for us where we met very nice people.
An update about my broken hand: It's still broken
unfortunately, and I still have two more weeks to heal completely. I
still have to play tonight (Feb 22) Hindemith's "Trauermusik" with
Morningside College's Camerata String Orchestra and two more
concerts in the area with the Euclid Quartet (not involving
TRAVEL!).

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January:
Playing with a
broken hand!
We
never stop playing, and a small fracture in my right hand (due to
falling on the ice on 01/21) doesn't stop me neither. I have to say,
though, it's being really hard! but thanks to pain killers and some
tricks I've been able to play. Since I can't put pressure on my
right hand's pinky, I've been playing holding my bow with just four
fingers. That's been ok for Mozart's K. 499 quartet, but not so easy
for Beethoven's Op. 59 No. 3, or the first quartets by Ginastera and
Janáček. When my hand gets
tired and sweaty I feel like I'm loosing the grip of the bow. But
I've managed. The timing was awful though, with a few concert just
followed the incident including one in Naples, Florida
(01/28) and another at Hamilton College in Clinton, New York
(01/31). We arrived very late in Naples and unfortunately a
misunderstanding about our hotel reservation didn't get us to
bed until 3:00 am (and our concert was at 2 pm). After the concert
we were able to relax and enjoy Naples's beaches (see below) not bad
for a break from the cold winter, the ice and the snow. But that was
over when we had to flight to New York State and deal with a
terrible winter storm, and then with temperatures dropping to the
18°F (-8 °C). Now back home, we are dealing with wind-chills of -30°
F (-34°C)!
Lose your only car keys and you'll be in trouble!
I guess I got lucky this
time, but this year started out with a stressful trip to New York
City due to car key issues. The quartet went there for a
CMA conference at the Westin Hotel in Time Square and we offered a
panel discussion entitled "New Context for New Music" which went
really well. The day we arrived I noticed I didn't have my car key
in my pocket. After an extensive search and thinking all through, I
realized that I might have dropped it at the security checkpoint
at the airport or else it fell in one of the planes. The thing is: I only
have that one key! and it's that kind which have a chip in it that
needs to be programmed. I made so many phone calls to airports and
the airline! I also called the dealership and they told me
that I needed to get my car towed from the airport parking to their
shop in order to get a new set of programmed keys. I decided to do
that as I was in New York and before I returned on Saturday the 13th
(they close at 6 pm so I wouldn't have made it). I send a fax to the
parking company authorizing the towing and set it all up for 1 pm on
Thursday. Just 15 minutes before 1 pm I went out to eat and the
doorman asked me if I had lost some car keys, I had dropped them on
the street in NEW YORK! and he picked them up! I realized I could
still make it before they towed my car at the airport and I canceled
the whole thing and saved me a huge hassle and $200!
But the whole trip was
definitely more enjoyable thanks to our friend Kathy Dalsimer, Thank
you Kathy for spending a good time with us!
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2006
October:
On Tuesday the 24th we drove to Sioux Center, Iowa, to play at Dordt
College. For this concert we included Bartok Quartet #4, along with
music by Mozart, Puccini and Piazzolla. Those who have played Bartok's
4th quartet know how wild it gets in the last movement. With such lack
of break in this movement, I still made it to quickly yank off a few
hairs of my bow that were hanging for a long time. I think that
dramatic moment caught the attention of this little girl (probably 4
years old) who was sitting with her parents in one of the fist rows.
After we had ended the concert with a standing ovation and were brought
onstage twice, I went just a few minutes later to get my music. When I
got to my stand I saw this little girl looking for something on the
floor next to my chair. Then she screamed: "I FOUND IT" holding one of
the hairs that I yanked off the bow...
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September:
We drove on a van to the southern states of Arkansas and Missouri for a
week long trip performing from school classrooms to concert series. The
trip started with a performance early morning at Millard North High
School in Omaha, Nebraska on the 13th. Then I took
the driving and headed south and 10 hours later we arrived at
Little Rock, Arkansas, for the Midwest
Conference in Little Rock and just in time for a boat ride on the
Arkansas River with the event's participants. The next day, the
14th in the morning we did a mini classroom performance at
the Parkview Magnet Arts High School and in the evening we performed
for Little Rock Chamber Music Society at St. Mark's Episcopal Church.
We spent three great days in Little Rock and our hosts were all very
nice to us. Karen Seale, my hostess and who is an Orthopedic Surgeon,
taught me some great massage tips for arms and shoulders (common
problem areas for string players) and I thank her enormously because
they've helped me a lot. On Friday the 15th we presented three
independent showcases at the Midwest Conference which took place at the
Convention Center attached to the Peabody Hotel in Little Rock. On
Saturday the 16th we drove from Little Rock to Columbia,
Missouri, where on the 17th we played a morning school
performance at the Hickman High School. Then in the evening we played
at the University of Missouri two piano quintets: Brahms' and Dvorak's,
with our great friends, and wonderful pianist, Peter Miyamoto and his
wife Ayako Tsuruta. After the concert we drove to Kansas City and the
next day we finished our trip by playing for high school students at
the Shawnee Mission HS in Kansas City.
On Friday the 29th, we performed at another conference: the Performing
Arts Exchange in
Baltimore, Maryland, for which we were the only classical
string quartet selected to perform a juried showcase. The trip was
pretty short but we encountered a few problems especially on our way
back. The conference was great and it was huge! I've never seen so many
people together working for the arts! The flight back was a problem.
First, they let us in the airplane but advised that the heater in the
plane needed to be fixed and maintenance was in their way for a "quick
fix" of the problem which, they say, could take just a few minutes. I
was constantly checking the time to make sure we could make the
connection in Memphis. Forty minutes had passed, no sign of the
maintenance guy and by then we had already lost our connection flight.
Then the guy shows up, did some work on it, and said "this will need a
lot more time." Then they got us out of the plane. Good thing I was in
the second row, so I was one of the first of a long line of
passengers that needed re-booking. Then they put the four of us (plus
the cello, for which we buy a ticket every time we flight) in the next
flight on another airline and through Chicago. We made it to the gate
just in time for boarding but they said that we might not make it in
that flight because we were "too last minute" and they said to Amy that
she could not get the cello in the plane unless she bought a fist-class
ticket. They also gave Jamie and Jacob a boarding pass for a later
flight. The lady said to me, "get in now or you'll lose this flight"
Then I asked the guys if they would be ok with me going alone because I
wanted to get home early enough to celebrate my first wedding
anniversary. And they were ok with that, but then I saw all of them
boarding. Great, we made it! but THEN, the pilot announced
that because of bad weather in Chicago we were asked to take a detour
around and southeast of Chicago to avoid the storm. I was listening to
music and flipping channels when I heard in a channel a lady saying
"here Kansas City" (we were not supposed to be any close to Kansas
City) and realized that the detour was quite far. Later, the pilots
were asking for no more delays as the plane was running low on fuel.
Finally we made it in Chicago 40 minutes later than we were supposed
to. Then we ran to the next gate and they announce that the flight was
delayed for one hour (it was already delayed for half hour) because
they were waiting for the pilot which was also late arriving in Chicago
from another flight. The last thing was, they didn't allow Jamie and
Jacob on that flight because they were put in a different flight. Amy
and I got that flight and arrived in Omaha, however, our luggage didn't
make it! Anyway, Martha and I still celebrated our first anniversary in
a restaurant in Sioux City for a nice end of the day.
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August:
A great month for me because of my birthday
(Aug. 8th). After two
well-deserved vacation weeks in July we got back to work and
traveled to
Michigan to perform at the Manitou Music Festival, Michigan.
We had a late arrival
at Traverse City airport from Detroit (after the airline was dealing
with a needed crew
member and had canceled the flight to the next day, but they fixed the
problem).
We got into town (Leland, Michigan) after driving from Traverse City
on a full
moon night by the lake shores of Lake Michigan and our hostess Caroline
Brady
was still awake. Her house was gorgeous and had a lakefront to Lake
Leelanau and
we felt like we were in "paradise" (at times I forgot that we were
there to perform, because we were all very relaxed!). The town is very
pretty
and it's around the 45th parallel which is half way between the Ecuador
and the
North Pole. The locals call tourists "fudgies" because they
walk around town carrying bags of fudge brownies (delicious by the way
and well-known
apparently). We met Debra Fayorian (director of the Manitou Music
Festival and
retired cellist from the Detroit Symphony) and her husband Wesley who
played the
Tuba with the Detroit Symphony and had a great time visiting them at
their new
gorgeous home. Our concerts were in Glenn Arbor on Aug. 10th
and in Leland
the next day and we also were interviewed at IPR Interlochen Public
Radio where
we played live on the radio.
On August 12
we got on a plane from Traverse City, Michigan to Albany, New York and
drove to
Amy's hometown Saratoga Springs where we rested for a couple of days
before our
next concert. We had a chance to check out the famous horse
races of
Saratoga Spring, thanks to Jennifer and Kyle (Amy's sister and her
husband) who
let us stay in their beautiful home which is only a few blocks from the
horse
tracks.
On August 15
we drove from Saratoga Springs to Williamstown, Massachusetts
which is a
very nice drive by prairies and valleys and the road cross a tiny
section of
Vermont before our destination. We performed that night at the Clark
Institute
of Art in Williamstown and Jamie and I stayed at the home of John and
Susan
Hadfield to rest for a couple of hours (we got up at 3:30 am to drive
to Albany
airport and flight back home).
June:
The Euclid
Quartet traveled in June to Aspen for a world premiere during the Aspen
Music
Festival (June 27th). Ludi,
which in Latin means "games," is a
string octet commissioned by the Aspen Music Festival for the composer
Armando
Bayolo and was written for the Euclid and the Degas quartets. The
program also
included Mozart's String Quartet in G major K. 387 performed by the
Degas
Quartet and the Debussy's String Quartet No. 10 in g minor performed by
the
Euclid Quartet. The program closed with "Ludi" after the
intermission.
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May:
We had a
wonderful time traveling to Los Gatos, California, for a performance on
May
19th. Not only was the audience so supportive, also the attention we
got from
Mr. Ted Lorraine was one of the best ever while on tour. We also got to
meet
wonderful people (like always when we are "on the road" performing)
for instance, my host Mr. Ralph Hays was a wonderful company during our
short
visit. I loved hearing his stories from when he was in the Air Force
during World
War II (not every day I get a chance to meet people from that
generation almost
gone completely). I also was fascinated to learn about Japanese Fukusas
and a beautiful private collection of those that Mr. Hays showed me
(only in
photos, the originals were donated to the Art Institute of Chicago).
Anyway,
what a wonderful visit!
We were in
New York for a couple of days for a performance at Merkin Hall
on May
30th. In New York we had a chance to visit with our good friends Yabet
(violinist) and Emi (pianist) which we met last summer teaching at
Hartwick
Festival. We also performed at the Brookhaven Laboratories in Long
Island where
we met very interesting people such as Dr. Geoffrey Hind with whom we
had a
wonderful afternoon chatting over lunch.
April:
The quartet
drove from Sioux City to Columbia, Missouri, for a
gala performance
during the Plowman National Chamber Music Competition (April 1st). The
road trip was nice
and we enjoyed performing there (though a little too hot on stage, but
we managed
fine). Prior to the concert we had a nice dinner with the directors of
the
Plowman Competition. After the concert we were very happy to hang out
with our
friends the GREAT pianists (and married couple) Peter Miyamoto and
Ayako Tsuruta
with whom we made future plans to perform together again in the fall.
As an update
on the DVD of the Bartok's Workshop (May of 2003): It is now available
but not
on DVD. Carnegie Hall has finished and published a
website instead which
is available for everyone on the internet. The website is a guide to
the String
Quartets of Bela Bartok as videotaped during the Emerson String
Quartet's
Workshop at Carnegie Hall in May of 2003. The Euclid Quartet
participated with
performances of Bartok's Quartet #4. The website is:
http://www.carnegiehall.org/article/explore_and_learn/art_performanceguide_bartok.html
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March:
This was a
busy month for us! but it was fun to travel south to Hickory,
North Carolina from
Washington DC with a rental car. We performed in Hickory with the Degas
Quartet
with whom we did a preview concert of the Octet which will be
officially
premiered in Aspen in the summer. Amy and I stayed with a lovely lady
by the
name of Nan Fanjoy. She treated us so well and made our stay in Hickory
very
enjoyable. Back in Washington DC we performed at
the State Department (March 8th), gave a masterclass at the Levine
School of Music and performed at
the All Souls Church (March 9th). For this last concert we performed
Beethoven's
Quartet Op. 59 #1 and Schumann Quintet with pianist Ralitza Patcheva.
The best
of this trip was meeting (and performing) with Ralitza who is an
excellent
pianist and her husband, cellist Vasily Popov. They were definitely the
highlight of this nearly three weeks long trip and we feel very
fortunate to
know them.
Also on this
month we traveled for the second time this year to Saratoga
Springs, New York
for a performance and a masterclass at Skidmore
College (March 24-25). We gave a lecture
on string quartet technique and coached excellent young chamber groups
during
their Chamber Music Seminar. This was a nice trip for us
especially for
Amy, who grew up in Saratoga Springs and got to see her parents. Many
thanks to
Amy's parents (and her sister Jennifer) for hosting us in
their
houses!
2005
October:
Martha and I got married!
on October 1st, 2005 in Chicago. We had a wonderful wedding and we were
very lucky
to be surrounded by our loved and favorite people. We also
had a
second ceremony in Barquisimeto, Venezuela on
December 23 of 2005 for my family.
We then spent some time traveling in Venezuela to the Andes
(Mérida) and to the
beautiful beaches and keys of Morrocoy National park. Here's a photo
from the
reception at my parents' home following the ceremony.

July:
We are very
excited to announce that the Euclid Quartet will be now represented by
Lisa
Sapinkopf Artists management services, beginning this
August (2005). For more
information and for booking, please visit
www.chambermuse.com

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August:
Working on a recording project:
Thanks
to the support of the Hugo Kauder Society, a recording project is in
the works.
The project involves the recording of four string quartets by composer
Hugo
Kauder (1888-1972) who lived in
Vienna
and
immigrated to the
US
.The release of this CD is
projected for
the end of 2006 under the label Centaur Records. To learn more about
Hugo Kauder
visit www.hugokauder.com,
and to learn about the project keep checking our website
for
the latest news, www.euclidquartet.net/latest_news.html
May:
This past
May we were in Japan for the 5th Osaka International Chamber
Music Competition.
Eight string quartets from around the world were invited to participate
in the
live round after going through a tape round selection.
We advanced to the second and to the final rounds and were awarded the
Third
Prize after our performance at Osaka's Izumi Hall. For more information
read our
comments on our website:
http://www.euclidquartet.net/latest_news.html

DVD
of Bartok’s workshop:
We are
waiting for the release of a DVD by Carnegie Hall Corporation of the
recorded workshop of Bartok’s string quartets that Emerson
String Quartet offered at Carnegie Hall in 2003. The Euclid Quartet as
one of
the three groups selected by audition to participate with a final
performance at
Weill Hall.
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